翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Georg Brunis : ウィキペディア英語版
George Brunies

George Brunies, aka Georg Brunis, (February 6, 1902 – November 19, 1974) was a jazz trombonist who came to fame in the 1930s, and was part of the Dixieland revival. He was known as the "King of the Tailgate Trombone".〔Stetler, Susan L. (editor) (1987) "Brunis, George" ''Biography Almanac'' (3rd edition) Gale Research Company, Detroit, page 257, ISBN 0-8103-2142-4 (set)〕
==Background==
George Clarence Brunies was born in New Orleans, Louisiana on February 6, 1902 into a very musical family. His father led a family band, and his brothers Henry, Merritt, Richard, and Albert ("Abbie") all became noted professional musicians. By the age of 8 young George was already playing alto horn professionally in Papa Jack Laine's band. A few years later he switched to trombone. He played with many jazz, dance, and parade bands in New Orleans. He never learned to read music, but could quickly pick up tunes and invent a part for his instrument.
He first went to Chicago in 1919 with a band led by Ragbaby Stevens, then worked on riverboats going up and down the Mississippi River. In 1921 he returned to Chicago and joined a band of his New Orleans friends playing at the Friar's Inn; this was the band that became famous as the New Orleans Rhythm Kings.〔 Brunies's trombone style was influential to the young Chicago players, and his records were much copied. In this era Brunies was never bested; he could play anything any other trombonist could play as well or better. He would often end battles of the bands or "cutting contests" by outplaying other trombonists while operating the slide with his foot!
After the Rhythm Kings broke up in Chicago in 1924, Brunies joined the nationally famous Ted Lewis band, which he played with through 1934.
After some time with Louis Prima's band he landed a steady gig at the famous
New York City jazz club ''Nick's'' through 1938. In 1939 he joined Muggsy Spanier's band, with whom he made some of his most famous recordings.
The following year he returned to Nick's, where he remained through 1946. Brunies then worked with Eddie Condon.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「George Brunies」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.